Tag Archives: USM

What is a Silverline?

In the coming days I’ll be announcing a website and such for my comic imprint Silverline. Those of you who’ve been around for a long time will remember what Silverline is, but for those who haven’t and for those who are just popping by, let me ‘splain.

In 1987 I was at USM trying to finish up a degree and figure out how to earn a living as a writer. I wanted to be a writer and I wanted to work in comics, but I didn’t want to move to New York. A freak chance meeting with my now long-time friend Steven Butler (long story that involves my now-wife/then-girlfriend running for homecoming court) put the pieces into play. I’d been “working” on comics since my junior high days with my good pal Barry Gregory, but neither of us really had chops to draw—we were always looking for artists with whom we could collaborate. Steven and his suitemate Mitch Byrd fit that bill. Steven was just a driven as I was and had been trying to “break in” to comics, too. The black and white boom had just started with the Teenage Mutant Ninja Turtles…so we decided to follow suit and do it ourselves.

Initially, we went with the name Top Comics. Mitch designed a nice imprint logo and off we went! We sent the solicitations around to all the distributors (there was more than just Diamond in those days) and ultimately got orders for about 4,400 copies.

It was there that we got jammed. We didn’t have the money to actually print and ship the comics. We were still in college, after all. None of the banks in Hattiesburg would give us a loan to print the comics, even with purchase orders for the 4,400 copies in our hands.

Sooooo, we had to cancel the orders and try plan B. As fate would have it, we knew someone who knew someone who had just started a small press company and was looking for content. That company was EF Graphics run by John Drury. We signed with EFG; Cat & Mouse was just the first title. It was to be followed by SilverStorm (written by Thomas Fortenberry); followed by an anthology title with stories by Barry…which would lead into a team book: The Hero Task Force.

But we’d become such a close group that we wanted an identity and we couldn’t really be Top Comics. This was before the idea of all the “studios” popped up later, but that’s kind of what we were. After some time, we settled on the name Silverline. Truthfully, I don’t know who in that group first proposed the name—if I were to guess, probably Steven. Maybe one of them remembers, but I don’t. But the idea was that since we loved the SILVER AGE of comics, we wanted to do comics that had a modern sensibility with a silver age spirit. We’d be a “line” of comics from EFG…we’d be the Silver Line. We shortened it to one word…and that, in a nutshell, is how it came to be.

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Renaming professional sports teams

While Northwest Rankin High School—from whence I graduated—was being built, I was among a lucky select number of high school students who were picked to help determine the high school colors and mascot for the future school. So much time has passed that I honestly don’t remember how influential my fellow students (of whom I can only remember three. There may have been more, but I only remember the three…possibly because they are female) and I were. I do remember we did not want to be anything similar to Pearl or Brandon (the schools from which most of the students for NWR would be drawn) and we didn’t want to be like Ole Miss or MSU. Those in the area know, of course, that we went with a Cougar and with Southern Miss colors.

All that is said to say I think it would be more interesting if professional athletic teams were to choose their mascots reflective of town history or even town (regional) personality. I realize there is a tiny instance of that now, but barely so much as to be noticeable. Therefore, I’d like to propose the following new names to be more representative of the communities they serve.

Boston WitchBurners

Atlanta Smokestacks (you non-history folks ask someone interested in history why this one makes sense)

NY Hurryups

NY Stuckups (they DO have two teams, y’know)

Minnesota Cheeseheads

Miami Crackheads

San Francisco Fruits & Nuts (okay, so 49ers worked, but not so much anymore)

Tennessee Hillbillies (Banjo-pickers is a close second)

Dallas Guntoters

New Orleans Crocodile Eaters (though “hunters” came in a close second)

Chicago Rumrunners (Mafia comes a close second)

LA Smogs

Houston Oilers (yeah—see, that one once made sense)

St. Louis Flood

Washington Liars (keep in mind this is DC, not the state!)

I could keep going, but I think it might be more interesting for any and all additional thoughts and suggestions to the list. No, I don’t expect anyone with enough clout to pay attention to this list, but it is fun putting together.

I’m sure I’ll have something more serious to say next week.

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Residency the first

Even though I’ve returned, I’m not sure that I’m fully recovered from the first “Residency” of my MFA program at Spalding University located in Louisville, Kentucky. I’ve been so overwhelmed I haven’t had a chance to yammer on here. But what an incredible time I had and what an incredible program I’ve entered.

Lemme back-track a little: Finding myself in need of a higher degree, I’d been accepted into the PhD program at USM, but the coursework would require that I be on campus for six full semesters; that’s three years. I was close to accepting it and trying to commute to Hattiesburg—about a five and a half hour drive—for the classes during the week. I decided, however, that three years of my kids’ lives are worth far more than a PhD. Being gone Monday-Friday would cause me to miss a lot of volleyball, baseball, cub scouts, singing…you name it—for three years! So, I started looking around for these “low residency” programs I’d heard of. My good friend and writer pal, Sid Williams was in one and he blogged about it now and again. After a search of low residency programs, I finally decided on Spalding…and I’m glad I did.

Low residency means that the majority of my coursework will be done at home, with correspondence with my mentor/instructor all online. At the beginning of each semester, however, an intensive 10 day on-campus residency kicks things off. I’ve just returned from the first one. And let me tell you, it was incredibly intensive: Ten to twelve hour days of lectures, workshops, discussions and readings. Even the “fun” things were related to the program. (We went to see an Opera of Hansel and Gretel one night, but then had to complete a writing assignment based on it.)

The workshops were the highlight for me. In it, nine students (see the picture below; our mentors—Luke Wallin and Joyce McDonald—are front row left. The rest are the students in my workshop group, the Writing for Children and Young Adults group) discuss a body of written work by one of the other students. The tenth student is to sit silently—taking notes—while the discussion occurs. Now, most of the workshops I’ve ever been in go almost immediately for the negative aspects of the work. That’s not The Spalding Way, however. The hour’s time devoted to the work is split almost exactly equal with positive comments and suggestions (there are no “negative” comments). Though it may sound a little goofy here on this site, the result of the workshop is a nurturing and encouraging hour for the writer. While most of the writers left with a list of “things to work on and revise,” most were also creatively jazzed and anxious to get to the work. I know I left with a big list of things that needed to be addressed and I couldn’t wait to get to it…unfortunately, because of the “intense” nature of the residency, those things did have to wait until I returned home.

I’m already out of words…more next time!

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