Tag Archives: The Rejects

2015 to come

Well, last week I rehashed some of the highlights of 2014 for me. This week, I’ll talk about what I’m looking forward to in 2015. Thus far, I’ve got two appearances lined up, but I’m optimistic more will happen. I’m always on the lookout!

In early April, I’ll be a comic guest at MegaCon and will be in Independent Press Row with my friend and hot new comic writer Wes Locher. If you’re in the Orlando area and you like all things geek, you can’t not be at MegaCon!

My other planned appearance is the Florida Writers Conference in Orlando in October. The details aren’t finalized yet, but I’ll be giving a presentation or two and probably be on a panel or two. Last year was my first and it was fantastic! I’m very excited to be returning.

I’m hoping the new year will bring me some news of the two projects I have floated about: Cat & Mouse and Beah. If I haven’t finished them by the time of this writing, I hope to get two other pitches circulating which I’ve told you about: Citizens and The Rejects. Just click on the titles to go “like” the Facebook pages for each of them where you can find art and updates on the projects.

I’m excited that Trumps has new life in it because Anthony Pereira emerged and is alive and well—and drawing the 2nd issue. Plus, I’m hoping to announce an inker on the project soon!

I’ve hinted at it before, but I’m working with a publisher to try to come to a happy agreement to see The Gifted come to fruition. While I’ve written it as a novel, he’s very interested in pursuing it as a graphic novel. The challenge is to find a way to get the art done for the small press. I’m very optimistic about it because the publisher seems to want it to happen.

I’ve also talked to artist Kevin Tuma about doing a Champion one-shot. Tuma wants to publish the work himself, so I’m excited about seeing that happen.

I briefly mentioned this a few months ago, but I “internet-met” a talented artist who is a martial arts student of a good friend of mine. I don’t know her that well (I did say “internet met”) and I don’t think she’s a huge comic fan, but her pencil work is astounding! So I hope to finish putting together a pitch for a sci-fi piece with newcomer Gabriella Rossetti.

Around Y2K I did a short comic adaptation of a short film by some folks in the Muscle Shoals area. Thanks to the changes in digital technology, I’m going to see that it becomes available. It’s being colored by my old Malibu colleague Albert Deschesne.

Speaking of older work, I’m in the process of collecting some of my older work and making them available as both a compilation and in digital format. Works to be collected will include Demon’s Tails, Krey, and some others.

Something else I want to do is an anthology that collects some of my shorter comic work. I’ve only got a couple at this point, but I’m hoping to get some others done.

I’ve talked to a few other artists who expressed interest in putting something together: Patrick Rolo did some work with me back in the Malibu days and Moye Daniel almost did some work with me…but disappeared. Both of them have reappeared, so I’m hoping we can make something happen.

Lastly, I really hope to finish my Cat & Mouse novel and send it to an agent who has already agreed to read it. I’m more than 30,000 words into it, I just need to get BIC!

So…as you can see, quite a bit of stuff that I’m excited about that will hopefully make 2015 an exciting year!

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Oops I did it again=My Writing Process Blog Tour and The Remaining

If you’re here because of Jim Miller’s link to the blog tour, thank you for stopping by to visit. Hopefully you’ll find some posts here you enjoy. Unfortunately, I already participated in this very blog a few months ago but didn’t realize it was the same one. If you’re interested my responses to those writing process questions, pop over here to read them. If you’re one of my regulars (thank you, of course, for your regular visits!), please pop on over to Jim’s site and show him some Ramblin’ love! Jim is my colleague at Full Sail. Thanks for inviting me to participate, Jim!

Serves me right, I guess. I was feeling guilty for participating in this because I just declined a blog tour two weeks ago. Apologies offered to the asker (she knows who she is). I though, however, this one was different from those I’d done in the past and it looked like something I could do relatively quickly…The first one I remember as “what are you working on,” while this one was “my writing process.”

SO, since I’ve covered the process part, let me catch you up on the what I’m working on part!

FIRST, I’m happy to report that THE REMAINING should be out. Check it out here:

Wait, don’t just “check it out,” BUY a copy! I’ll sign it for you—for FREE—the next time I see you! What a deal, huh?

I’ve been working on some comic pitches of late and have even built facebook pages for them. I’d sure appreciate it if y’all’d go and click the “like” button for each of them (link on the logo of each title).

The first one making the rounds is Beah. With art supplied by the talented Tim Holtrop! We’ve received one “no,” (but I got some nice feedback and he said he’d take a peek at other proposals from me, which is very nice) but remain optimistic. My good friend Emily Y. Kanalz—from way back in the Malibu days—is supplying the color for this. Y’all, I’m telling you, this project looks fantastic. I’m just hoping the “words” can keep up with the art!

The next one to make the rounds is Cat & Mouse. I’m teaming up with Henry Martinez who is producing some really cool pitch pages (you have to go like the C&M page to see what we’ve got so far!). The original run of C&M was in b&w and I tend to think of it that way, but I’d like to pitch it either way—and I don’t have someone coloring this one yet. If you a fan of the first volume, this isn’t the exact same characters; they’ll be different, but the mood and spirit will be the same.

The next two are mostly ready, but it’s mostly on me to get it ready now.

Citizens is a project with the entire art package supplied by Joe Badon. Joe’s art style is so unique that I really anticipate he’s going places once the right people see his work—maybe it’ll just take the right story to have him noticed. I’m hoping that story is Citizens. I think it’s different from most anything I’ve done. While I’ve worked on science fiction stories before, I think of this one as sort of a futuristic post-Vietnam story. So, it’s not a “war story,” but a post-war story.

Then there’s Rejects with artist JC Grande and colorist Jesse Heagy, both of whom really deliver on some pitch pages you can see on the facebook page. It’s probably the more mainstream of the projects. It’s superheroes, with a twist: It’s a team of heroes who’ve been rejected by all the “A-list” teams. Just learning their names will tip you off to why they have issues with success.

I’ve got a couple others in the very early development phase…but I see I’m way over the limit, so I’ll save those for a future post. But I’ll go write it now so I promise it’ll just be a few weeks!

Thanks for listening to me ramble a bit. See ya next week!

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An update ala a Blog Hop

So I hope you’re new here as part of the blog hop. If you’re a long-time visitor, thanks for your continued support. A blog hop is when bloggers encourage their readership to visit other bloggers, as I will do at the bottom of this entry. I haven’t participated in many blog hops mostly because I don’t really think I get a lot of new readers and so those who come here pretty much know the usual info in a blog hop. So I’m mostly doing this one because a)Kayla asked me to participate (you should go visit her blog since she was kind enough to send some of you my way—AND, she said really nice things about me!); b)I still needed an entry for this week—I skipped last week…was busy grading—yuck!; c)the hop is different from most of those I’ve seen cross my path.

So, without further adieu, the hop questions are:

What am I working on?

I’m working on several things at the same time. I’m one of those who tends to keep a lot of irons burning just because you never know when a project will collapse, fall through, etc. And I’ve had my fair share of projects to disappear. At the top of my list are a couple of projects I’ve already blogged about: Beah and Citizens. Follow the links to read more about them. I’ve also got other comic projects in various stages getting ready for pitch: The Rejects (with JC Grande), Cat & Mouse (with Henry Martinez), Demon’s Tails V2 (with Patrick Rolo); Unnamed with Kevin Tuma (we’re still in the “talking about the story” phase); an unnamed with Gabriella Rossetti (just wait until you SEE this one!). I’ve just finished a Graphic Novel adaptation of a horror film which is slated for a September release. Oh—Four of the projects now have FB pages. Go LIKE them here: Beah, Citizens, Cat & Mouse, The Rejects.

On the prose side, I haven’t done as much to work on my current novel. My agent is still pushing The Interns…but I’m about to toss in the towel on that one. Yeah, I know, I’m sad, too.

I thought I had a little web-series that was going to happen—even assembled a tiny writing team—but it looks like that might not happen either. Was exciting to think about that, though. So, for the meantime, I’ll continue to focus on comics…just because I’m so dang excited about them.

How does my work differ from others of its genre?

Gee, that’s tricky, isn’t it? There are some things that I would consider as “personalities” of my work…and that combination makes it uniquely me. I tend to write strong female characters, stories set in the South (my beloved homeland!), stories about individualism and about individuals overcoming tyranny, oppression, etc. I try to infuse my faith into my work without it being overbearing and/or annoying…but I think that’s important to my work.

The problem with my answer to this question is that most of my work is in comics, but “comics” isn’t a genre, it’s a medium.

Why do I write what I do?

I write because I enjoy writing. I write comics/graphic novels because I absolutely love the medium and what it can do. We have an unlimited special effects budget and are limited only by our imaginations. Comics/Graphic novels is also a visual medium in which the reader controls their experience. When you watch tv or a movie, your experience is determined by the director. The reader controls their own reading experience when reading a graphic novel. And I find that very cool.

How does my writing process work?

I don’t know that I have only one process, but the one that tends to work for me is starting from a concept; moving to a character and giving them an attainable goal; putting them in a world; tossing obstacles at them; building an outline…and THEN sitting down to write.

Who’s next in my Writing Process Blog Hop?

I’m happy to push you to a couple of writers I like. First, go take a peek at my pal Sid Williams’s blog. I’ve known Sid for a looooong time (since the late 1980s for those of you really keeping track), and he’s got the write-stuff! Check out SidIsAlive…and tell him I sent ya there! I’d also like to web-direct you to the web home of Wes Locher. Wes is just days away from earning his Creative Writing degree from Full Sail but has already published a bunch o’stuff. I’ve read much of it (tempted to say “all,” but that might not be true) and he’s going places! You wanna get in on the ground floor of an up and coming writer, start watching his site here.

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