Tag Archives: SilverStorm

Evolution of Silverline…and the logo

After my last blog about Silverline, someone asked me about the logos and a little more, so I thought I’d write a bit of a “part 2” about Silverline. But first: if you haven’t already, please consider checking out (and possibly backing?) my kickstarter for Cat & Mouse #2 here: CLICK HERE

After we went from the idea of publishing our own material under the company name Top Comics, we adopted the name Silverline and became a packager. We didn’t really think of ourselves that way at first, we were just a group of creative folks trying to make comics.

So since we couldn’t be Top Comics, we still wanted to brand our line, Steven Butler created a Silverline banner that would run the width of the comic at the bottom of the covers. That way, EFG fans would see the banner and know that story and title took place in the Silverline world. We loved that idea as it was the next best thing to publishing on our own. Cat & Mouse would be followed by a SilverStorm mini-series, a bi-monthly anthology title, and then a new ongoing series, the Hero Task Force (which would use the characters from the anthology, SilverStorm and Cat & Mouse).

But EFG folded before they could do much. So we took our printed copies and stacks of photocopies of the work in progress…and sent it off to a handful of independent publishers hot at the time. We talked to several, but ultimately ended up at Aircel. Except…they only wanted Cat & Mouse and SilverStorm. We didn’t know at the time that they were already planning a “super” world of their own (the Protectors) and just didn’t want competition. C&M was different enough and SilverStorm was a mini-series.

We packaged a few other titles (Mantis Files, Sirens, Pendulum) before Malibu hired me as an editor. Mitch and Steven had both moved on to other projects anyway, so Silverline basically ceased to exist.

Until 1997.

Marvel bought Malibu in ’94, turning me into a Marvel editor. They declared bankruptcy in ’96 and fired 400 people. I decided to use what I had learned and try publishing again…and did. Rather than try to come up with a new label, I just used Silverline again and published comics from 97 until 2001 (Marauder, Switchblade, Cybertrash and the Dog, and others). The problem was that Marvel fired people because the boom of the late 80s and early 90s lead to a crash in the late 90s…and it was just tough to sell comics. I lost more than 20k of my own money trying to make Silverline happen, but called it quits in 2001.

I went back to school, got an advanced degree and started teaching at the university level. While doing research for a class, I stumbled across an internet announcement looking for writers to adapt Huckleberry Finn into a graphic novel. I submitted, got the work, and had a blast. This was in 2008. I followed that up with an adaptation of Wizard of Oz and remembered that I actually really did like comics. So I started making them again, but as a side thing to teaching. Still, I needed to call them SOMETHING for the ones I did on my own. I fell back to Silverline. That’s when this logo came into play. I never really loved this logo, but liked it alot … so just continued to use it because I wasn’t really planning to do anything with Silverline…not really. And I feel terrible that I don’t remember who put this together for me. EDIT: NOW I know that it was my pal Mike W. Belcher who put the red oval together! My public apologies to him for not remembering.

Fast forward to 2018 and kickstarting Cat & Mouse #1 vol 2. The creative team of Dean Zachary, Barb Kaalberg, and Kevin Gallegly, had such a fun experience, they encouraged me to restart Silverline as a publisher. While that’s just the short version, that’s how we got this new logo, a new take on the old one.

And now you know!

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What is a Silverline?

In the coming days I’ll be announcing a website and such for my comic imprint Silverline. Those of you who’ve been around for a long time will remember what Silverline is, but for those who haven’t and for those who are just popping by, let me ‘splain.

In 1987 I was at USM trying to finish up a degree and figure out how to earn a living as a writer. I wanted to be a writer and I wanted to work in comics, but I didn’t want to move to New York. A freak chance meeting with my now long-time friend Steven Butler (long story that involves my now-wife/then-girlfriend running for homecoming court) put the pieces into play. I’d been “working” on comics since my junior high days with my good pal Barry Gregory, but neither of us really had chops to draw—we were always looking for artists with whom we could collaborate. Steven and his suitemate Mitch Byrd fit that bill. Steven was just a driven as I was and had been trying to “break in” to comics, too. The black and white boom had just started with the Teenage Mutant Ninja Turtles…so we decided to follow suit and do it ourselves.

Initially, we went with the name Top Comics. Mitch designed a nice imprint logo and off we went! We sent the solicitations around to all the distributors (there was more than just Diamond in those days) and ultimately got orders for about 4,400 copies.

It was there that we got jammed. We didn’t have the money to actually print and ship the comics. We were still in college, after all. None of the banks in Hattiesburg would give us a loan to print the comics, even with purchase orders for the 4,400 copies in our hands.

Sooooo, we had to cancel the orders and try plan B. As fate would have it, we knew someone who knew someone who had just started a small press company and was looking for content. That company was EF Graphics run by John Drury. We signed with EFG; Cat & Mouse was just the first title. It was to be followed by SilverStorm (written by Thomas Fortenberry); followed by an anthology title with stories by Barry…which would lead into a team book: The Hero Task Force.

But we’d become such a close group that we wanted an identity and we couldn’t really be Top Comics. This was before the idea of all the “studios” popped up later, but that’s kind of what we were. After some time, we settled on the name Silverline. Truthfully, I don’t know who in that group first proposed the name—if I were to guess, probably Steven. Maybe one of them remembers, but I don’t. But the idea was that since we loved the SILVER AGE of comics, we wanted to do comics that had a modern sensibility with a silver age spirit. We’d be a “line” of comics from EFG…we’d be the Silver Line. We shortened it to one word…and that, in a nutshell, is how it came to be.

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Unintentional Part 2

So last week I started off thinking I was participating in a blog tour that I’d accidentally already done, then shifted to the release of The Remaining, then started yakking about the projects currently in the works. Well, I got kinda excited talking about it but really ran out of space…so I wanted to finish talking about the other projects I’m working on that just aren’t quite as far along.

Trumps1.2-3  trumpslogoSo first up I’ll give you the Cliff Notes version on this first project. In the late 90s, I started working with artist Anthony Pereira, an artist I’d actually discovered while working at Malibu. We decided to do a project. He finished the first issue…and then promptly disappeared. Seriously. Well, fifteen years later, he’s now found—AND working on issue #2 as if no time had passed. It’s really kinda cool. But, the fact that the first issue of Trumps is completely penciled is the reason this one is listed first here.

I’m in the early stages of a Champion mini-series with artist Kevin Tuma. Kevin’s been around for a while and we’ve actually worked on a single issue before—but it was never published. Kevin drew issue #3 of the ill-fated Vortex mini-series published by Comico. While I haven’t asked, he’s probably still owed a chunk of money like the rest of us. Champion, for those of you who are paying attention, was a secondary character in Cat & Mouse vol. 1. He played a more pivotal role in SilverStorm vol 2. So there are some changes in store for the character, but I think you’ll like what’s going on with him.

BlogBeltThrough my old Malibu pal Kurtis Fujita, I “met” artist Gabriella Rosetti. On facebook (of all places, right?) Kurtis pointed out that one of his martial arts student was also a really talented artist. And because Kurtis is certainly one whose artistic “filter” I trust, I want to check out her work. I was blown away by her pencil work! We started chatting and she’s now working on the preliminary sketches while I flesh out a plot. I don’t have her permission to post this image—and while I should have asked first, I’ll risk reprimand because I didn’t plan ahead better and because I think you really need to see this so you can get excited, too! I know it’s just a peek, but I’m so excited to see what she comes up with. It’s a straight sci-fiction piece…and I’ll just leave it at that until we’ve got a little more.

EPSON MFP imageA few months ago I reconnected with another artist I worked with back in the Malibu days and we just swapped a handful of emails before it came up he was interested in doing more comic work. As I don’t have an editor’s budget anymore, I laid it out for him and he was still interested and so we’ve kicked around the idea of a second Demon’s Tails mini-series. Patrick Rolo has drawn a few sketches at this point, as I’m still fleshing out the plot for it as well. I love the way he handles Demon, though…so I hope you’ll be seeing much more here.

Last, but certainly not least, I’ve just started talking to an independent publisher about doing a series of graphic novels. While nothing’s set in stone yet, I’m very excited about the optimism and excitement displayed by the publisher. Yes, I’m intentionally being very vague because of that very thing. I don’t want to say too much. I will say this (so those of you really paying attention might actually figure out which project it is): the story started as a comic series then shifted to an illustrated novel. The novel is written. Finished. The content screams for images, though, and so I’m SOOO excited to be talking about turning it into a series of graphic novels. Yep, you’ll definitely hear more here when I can talk about it.

A few other things kinda cool—not quite as exciting as the new stuff, but still kinda cool. I’m working on graphic novel collections/compilations for some of my older work that is no longer available for whatever reasons. I’ve collected as much of the original art as I could find and am moving forward. First up will be Demon’s Tails (and it helps, I think, that I’m working on vol. 2!), followed by Krey. The only way these are currently available are as back issues—and likely in the reduced boxes. I know I pick them up from the reduced box when I can find them to take them to shows—but I’m tired of looking, so I’ll just print up the compilations and also try to make them available digitally!

Dang it, got long again. Thanks for hanging in with me!

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2014 that will be

Happy New Year everyone! I hope this blog post finds you all healthy and ready for the new year. I know I am!

Why, you ask?

Well, I’m glad you asked, let me tell you. But before I do, I want to offer up this video to you from the Mann family. Please accept this as our wish from us to you for a Merry Christmas and a Happy New Year.

So now, why am I excited about 2014? Well, I have several projects that are near “pitch” phase and I’ll be showing some of the images from those soon. They are (in no particular order): Beah with art by Tim Holtrop and coloring by Emily Kanalz; Citizens with Joe Baden; The Rejects with JC Grande and colors by Jesse Heagy; Sand Gears with Quinton Bedwell; Cat & Mouse with Henry Martinez. I’m also very close to finishing up a script adaptation of the upcoming post-rapture horror film, The Remaining, with artist Kyle Hotz! On top of that, I’m in talks to have some of my out of print work made available digitally (work like Krey and Demon’s Tails) and I’ve found some talented new colorists to work on those books: David Tigner is working on coloring SilverStorm, Jeremy Kahn is coloring Krey, Elijah Minott is coloring Demon’s Tails. All in all, some pretty exciting stuff.

Additionally, the calendar is filling up with some exciting events/conferences/conventions, and all. In March (8th) I’m speaking at the Mid-South Christian Writers Conference. I’m excited to be presenting there—it’s in Memphis, if the title didn’t give it away. Two weeks later I’m on the guest list for MegaCon, which is in Orlando, Florida. I had a great time as a guest there last year and am looking forward to another great show. I’m also trying to pitch a panel there but haven’t gotten word on that yet.

In April I’ll be the mentor at the Spring Hemingway Writers Retreat at the Hemingway Museum and Education Center in Piggott, Arkansas. It’s a place I’ve been before and I’ve said this before, too: this is one of those great opportunities for writers to get away and write! There are some instructional exercises, but it is mostly focused writing time with one on one feedback from mentors (which will be yours truly in April!). Lots of good writing has come out of the retreats I’ve been associated with. If you’re looking for a shorter getaway, this is the perfect opportunity for you.

Also in April, and on a more personal note, the grave for my Civil War ancestor William Montgomery Mann will have a dedication ceremony that features a new headstone with his unit markings. This is something I’ve hoped for since about 1986…and it really is all happening as the result of hard work from my dad.

In September (20th and 21st), I’m a comic guest at The Geek Gathering in Sheffield, Alabama, near my old stomping grounds in Florence. I’m hoping to get to see some of my old pals there.

A colleague of mine at Full Sail is putting together a group of presenters for the Florida Writers conference in October. While final word isn’t in on it yet (nor do I know the actual date), I’m pretty excited to be a part of the team she’s put together.

So, lots of stuff has me excited. So let’s dive in and hopefully we’ll all have a great 2014!

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