Tag Archives: Emily Y. Kanalz

Oops I did it again=My Writing Process Blog Tour and The Remaining

If you’re here because of Jim Miller’s link to the blog tour, thank you for stopping by to visit. Hopefully you’ll find some posts here you enjoy. Unfortunately, I already participated in this very blog a few months ago but didn’t realize it was the same one. If you’re interested my responses to those writing process questions, pop over here to read them. If you’re one of my regulars (thank you, of course, for your regular visits!), please pop on over to Jim’s site and show him some Ramblin’ love! Jim is my colleague at Full Sail. Thanks for inviting me to participate, Jim!

Serves me right, I guess. I was feeling guilty for participating in this because I just declined a blog tour two weeks ago. Apologies offered to the asker (she knows who she is). I though, however, this one was different from those I’d done in the past and it looked like something I could do relatively quickly…The first one I remember as “what are you working on,” while this one was “my writing process.”

SO, since I’ve covered the process part, let me catch you up on the what I’m working on part!

FIRST, I’m happy to report that THE REMAINING should be out. Check it out here:

Wait, don’t just “check it out,” BUY a copy! I’ll sign it for you—for FREE—the next time I see you! What a deal, huh?

I’ve been working on some comic pitches of late and have even built facebook pages for them. I’d sure appreciate it if y’all’d go and click the “like” button for each of them (link on the logo of each title).

The first one making the rounds is Beah. With art supplied by the talented Tim Holtrop! We’ve received one “no,” (but I got some nice feedback and he said he’d take a peek at other proposals from me, which is very nice) but remain optimistic. My good friend Emily Y. Kanalz—from way back in the Malibu days—is supplying the color for this. Y’all, I’m telling you, this project looks fantastic. I’m just hoping the “words” can keep up with the art!

The next one to make the rounds is Cat & Mouse. I’m teaming up with Henry Martinez who is producing some really cool pitch pages (you have to go like the C&M page to see what we’ve got so far!). The original run of C&M was in b&w and I tend to think of it that way, but I’d like to pitch it either way—and I don’t have someone coloring this one yet. If you a fan of the first volume, this isn’t the exact same characters; they’ll be different, but the mood and spirit will be the same.

The next two are mostly ready, but it’s mostly on me to get it ready now.

Citizens is a project with the entire art package supplied by Joe Badon. Joe’s art style is so unique that I really anticipate he’s going places once the right people see his work—maybe it’ll just take the right story to have him noticed. I’m hoping that story is Citizens. I think it’s different from most anything I’ve done. While I’ve worked on science fiction stories before, I think of this one as sort of a futuristic post-Vietnam story. So, it’s not a “war story,” but a post-war story.

Then there’s Rejects with artist JC Grande and colorist Jesse Heagy, both of whom really deliver on some pitch pages you can see on the facebook page. It’s probably the more mainstream of the projects. It’s superheroes, with a twist: It’s a team of heroes who’ve been rejected by all the “A-list” teams. Just learning their names will tip you off to why they have issues with success.

I’ve got a couple others in the very early development phase…but I see I’m way over the limit, so I’ll save those for a future post. But I’ll go write it now so I promise it’ll just be a few weeks!

Thanks for listening to me ramble a bit. See ya next week!

Leave a comment

Filed under Projects, writing

WIP = BEAH

The story of BEAH goes back to the late 90s for me. After Marvel fired about 400 people, me being one of them, I set about to writing full steam again. I also decided to become a full-fledged indy publisher and get away from Corporate Comics. I did just that for about five years, losing a ton of money because I was acting like a big company and yet it was just me flying solo (well, I mean that for the business/marketing/money end—I worked with some really talented creators). Essentially, I tried to do too much.

Anyhow, it was while watching multiple episodes of Winnie the Pooh with my kids that the inspiration of Beah hit me. Drawing my inspiration from the great indy title, Cerebus, I figured I’d start off with a parody of WIP. Wasn’t long till I figured that was doomed to failure…and so I started thinking, well, what if the toys grew up? Long story short, I eventually got around to the idea that what if the kid just leaves the toys? What would happen? Toy lawlessness would run amuck, right? For those who wonder, yeah, there’s some Toy Story inspiration behind it, too. But that’s a good thing, right?

But over time, Beah became completely its own thing. Oh, I did go through the Cerebus spoof stage, but not in publication–mine was all on paper only read by (mostly) just me.

My good friend John Drury was initially slated to do the project back in the late 90s. But life took him–and us, elsewhere and we simply stopped pursuing it.

Fast forward to 2012 when I spotted Tim Holtrop’s art online and was immediately taken by his style. That and the fact that he–like me– had ties to Caliber Press in the early 90s made me want to talk to him. Well, that and his voiced faith. Tim and I share a common faith and we hit it off immediately. I was happy to have found a new friend even if we never went anywhere with a project. As luck would have it, I pitched the Beah concept to Tim, and over time, I think he, too, has developed an affinity for the stuffed animals.

Tim set out to do the design work and MAN, it would take an entire publication just to show you all the cool designs he did for both the characters and the setting. I present you with just a tiny smattering of those here, but I think you’ll agree how wonderful those are.

And, to top it off, fantastic colors have been provided by Emily Y. Kanalz. I worked with Emily back in the day at Malibu/Marvel. I know you don’t get to see them here much (and truthfully, I’m not sure whether the book will BE in color–but I sure hope so!), but WOW! She’s knocked it out of the park!

No, Beah doesn’t have a home yet, but we’re hoping to find one soon! In the meantime, don’t forget to find us on Facebook (https://www.facebook.com/beahcomic) and LIKE the page! We need more likes, so go now! We’ll be posting update there for you to get some sneak peeks and keep you posted as we search for a publishing home for Beah.

11 Comments

Filed under Projects, writing

2014 that will be

Happy New Year everyone! I hope this blog post finds you all healthy and ready for the new year. I know I am!

Why, you ask?

Well, I’m glad you asked, let me tell you. But before I do, I want to offer up this video to you from the Mann family. Please accept this as our wish from us to you for a Merry Christmas and a Happy New Year.

So now, why am I excited about 2014? Well, I have several projects that are near “pitch” phase and I’ll be showing some of the images from those soon. They are (in no particular order): Beah with art by Tim Holtrop and coloring by Emily Kanalz; Citizens with Joe Baden; The Rejects with JC Grande and colors by Jesse Heagy; Sand Gears with Quinton Bedwell; Cat & Mouse with Henry Martinez. I’m also very close to finishing up a script adaptation of the upcoming post-rapture horror film, The Remaining, with artist Kyle Hotz! On top of that, I’m in talks to have some of my out of print work made available digitally (work like Krey and Demon’s Tails) and I’ve found some talented new colorists to work on those books: David Tigner is working on coloring SilverStorm, Jeremy Kahn is coloring Krey, Elijah Minott is coloring Demon’s Tails. All in all, some pretty exciting stuff.

Additionally, the calendar is filling up with some exciting events/conferences/conventions, and all. In March (8th) I’m speaking at the Mid-South Christian Writers Conference. I’m excited to be presenting there—it’s in Memphis, if the title didn’t give it away. Two weeks later I’m on the guest list for MegaCon, which is in Orlando, Florida. I had a great time as a guest there last year and am looking forward to another great show. I’m also trying to pitch a panel there but haven’t gotten word on that yet.

In April I’ll be the mentor at the Spring Hemingway Writers Retreat at the Hemingway Museum and Education Center in Piggott, Arkansas. It’s a place I’ve been before and I’ve said this before, too: this is one of those great opportunities for writers to get away and write! There are some instructional exercises, but it is mostly focused writing time with one on one feedback from mentors (which will be yours truly in April!). Lots of good writing has come out of the retreats I’ve been associated with. If you’re looking for a shorter getaway, this is the perfect opportunity for you.

Also in April, and on a more personal note, the grave for my Civil War ancestor William Montgomery Mann will have a dedication ceremony that features a new headstone with his unit markings. This is something I’ve hoped for since about 1986…and it really is all happening as the result of hard work from my dad.

In September (20th and 21st), I’m a comic guest at The Geek Gathering in Sheffield, Alabama, near my old stomping grounds in Florence. I’m hoping to get to see some of my old pals there.

A colleague of mine at Full Sail is putting together a group of presenters for the Florida Writers conference in October. While final word isn’t in on it yet (nor do I know the actual date), I’m pretty excited to be a part of the team she’s put together.

So, lots of stuff has me excited. So let’s dive in and hopefully we’ll all have a great 2014!

Leave a comment

Filed under Projects, writing