At writer conferences, fledgling writers are always looking for the magic bean, the “secret” that published writers have and they don’t know yet. And while they know in their heart that no such thing exists, they still search for it.
The proof is in the question I am asked more than any other question: what do I need to do to break in? Many of them are convinced that they have a super-original concept or story idea that if they can just get an editor to read it, they could sell it. While they may have that one in a million idea (all of us writers like to tell ourselves that!), the chances are more likely they don’t. That’s not to suggest it isn’t a good or salable idea.
I’ve read stories after the writers have communicated to me they want to spend their life writing and selling…only to discover they don’t know the difference between there/their/they’re or it’s/its, they can’t get their subjects and their verbs to agree, or they simply can’t compose a sentence (I almost wrote “they can’t get there subjects and verbs to agreed,” but was afraid I’d get some snarky comment about how even I couldn’t do it!)
Every writer makes typos and simple errors. Editors know that and understand it. But there’s a big difference between typos and lack of ability to control the language.
If you’re one of those who struggle with grammar, never fear! The beauty is that it can be learned. As many have heard me say here before, it’s all about practice, practice, practice. As a writer, you’ve got to write every day, but you’ also need to read every day. And read good stuff, too. I’ve said before that I believe we pick up a lot by osmosis, so be sure you’re absorbing good stuff.