Writers are bombarded with endless suggestions of how to improve their craft and what to do to make their work “successful” (successful is, of course, defined differently by different writers). I guess this blog is another of those. My response has always been though—take all the feedback and ideas you can get, pour them into a pot, stir them up, and take out of it something that is useful to you as a writer.
I’ve always been one who’s plotted a story from start to finish before sitting down to the nitty-gritty of writing. Part of that is the nature of comic books, the industry where I’ve gotten the over-whelming majority of my work. Comics are episodic by design and stories must be tailored and crafted to fit within a specified number of pages so that writers have to know what is happening and when it’s happening. It’s not limiting, as some might suggest, but it is what it is.
I’d often read about writers, though, who just begin typing without really knowing what the story is or where it is going. Obviously, I’m talking prose writers—comic writers don’t have that liberty. After having finished two novels, I wanted to give it a try just to … y’know…see?
I didn’t get to finish the one before I started on another (The Interns, listed at the side of this blog page, for those of you keeping score) and started it the same way. Actually, it was much easier for The Interns because I was only supposed to generate 20-ish pages for my Spalding MFA workshop—it didn’t matter what the story was or where it was going, right?
As is often the case for writers, the more I wrote on The Interns, the more I liked the character and the situation in which I’d placed him. It was fun watching him squirm. But I still didn’t know exactly where the story was going. Oh sure, I’d developed ideas because of the situations, but it seemed like endless possibilities and I’d started to really want the story to mean something.
So after 70 pages, and a nice talk from my writing mentor this semester, I knew I had to go back and figure out what the story was and where it was going. To put it simply, I had to go back and plot it out from start to finish. Okay, maybe not from the very beginning because I’d written a good deal of that. I did have to figure out the ending. Getting there was fun as I got to explore the myriad paths of possibilities.
But ultimately, I picked one…and that’s where we’re going.